Open Gate Theatre- the website - About us

Open Gate Theatre- the website. OGTs Will and Mitsu in Kyoto. The Next Sunday Evening. Ldquo;a voice in the wilderness, calling forth a new movement in music and dance. Richard Sandres, Rendezvous Magazine. Ldquo; multidisciplinary art that grasps for the infinite. John Payne, L.A. Weekly. Ldquo; by passing the audiences intellectual defenses in a sustained tour de force. made a disturbing and visceral impact,. A preverbal assault achieving mythic force. Chris Pasles, L.A.Times.

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OPENGATETHEATRE.COM HISTORY

This web page opengatetheatre.com was first submitted to the registrar on August 29, 2011. It was changed on July 20, 2014. It will expire on August 29, 2016. It is now six hundred and seventy weeks, four days, thirteen hours, and seventeen minutes young.
REGISTERED
August
2011
UPDATED
July
2014
EXPIRED
August
2016

LENGTH OF LIFE

12
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10
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4
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LINKS TO WEB SITE

Mitsu Salmon 光 さけ

Performance, video and writings. Friday, January 6, 2012. Telling stories with movement and music. Thursday, January 27, 2011. Nadia, a singer and filmmaker from France welcome and farewell performance. I will be doing a few songs with ryotaro, accordionist as well. Video of Nadio and ryotaro.

Jeff Schwartz bass Adventures in Self-Promotion

This Show Means More This Year. 8216;s help, continues! We have booked the first half of the year, with some great folks queued up for the second half and maybe a bonus show or two to be added.

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CONTACTS

Will Salmon

1138 Armada Dr

Pasadena, MI, 91103

US

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Open Gate Theatre- the website - About us

DESCRIPTION

Open Gate Theatre- the website. OGTs Will and Mitsu in Kyoto. The Next Sunday Evening. Ldquo;a voice in the wilderness, calling forth a new movement in music and dance. Richard Sandres, Rendezvous Magazine. Ldquo; multidisciplinary art that grasps for the infinite. John Payne, L.A. Weekly. Ldquo; by passing the audiences intellectual defenses in a sustained tour de force. made a disturbing and visceral impact,. A preverbal assault achieving mythic force. Chris Pasles, L.A.Times.

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